Clash Magazine Music News, Reviews & Interviews • 19th June 2025 Loyle Carner - hopefully ! | Reviews Three years on from ‘Hugo’, Loyle Carner returns with ‘hopefully !’ – a contemplative, decidedly indie collection that trades sonic innovation for stillness and emotional clarity.
Clash Magazine • 23rd June 2025 Live Report: Dua Lipa - Wembley Stadium, London Dua Lipa’s sold-out Saturday night show at Wembley Stadium wasn’t just a concert; it was a coronation. Ten years on from her first London show, the Radical Optimism world tour arrived at the UK’s biggest venue with a bang (and several dozen fireworks), cementing her status as a bona fide global superstar.
Clash Magazine • 21st March 2025 Live Report: Rose Gray - Colour Factory, London | Live | Clash Magazine Music News, Reviews & Interviews There’s something about a packed-out, school-night club gig that makes a pop star in the making feel inevitable. Rose Gray’s sold-out headline show at Colour Factory last night – a sweaty oasis in the otherwise desolate intersection of Hackney and Stratford – was just that. Held upstairs but carrying a distinct basement vibe, the room was heaving long before Gray hit the stage…
Clash Magazine • 10th February 2025 No Full Stops, Just Semicolons: Biig Piig Interviewed At its core, ’11:11′ is about time—how it moves, how it stills, and how time is a necessity to let the music breathe. And while Biig Piig describes the album as a moment of self-discovery, its release is not an endpoint but a new beginning—not a full stop but a semicolon.
Principle Magazine • 30th January 2025 Jazzy: Interview With a clear knack for crafting addictive, feel-good bangers, Jazzy’s momentum has been unstoppable. She’s earned Ivor Novello and BRIT Award nominations, secured a coveted spot on Forbes’ 30 Under 30, and surpassed legends like Enya and Sinéad O’Connor to become the most-streamed Irish female artist in the world on Spotify.
Clash Magazine • 13th January 2025 TSHA: CLASH 129 | 20th Anniversary Edition TSHA’s album 'Sad Girl' captures the complexities of the human experience; that pain and joy can coexist, that they are both important in shaping who we are, proving that evolution—both personal and musical—comes from embracing it all.